Major Mistakes to Avoid when Proofing a Print Project – Part 2

Major Mistakes to Avoid when Proofing a Print Project – Part 2

Part 2 -----

To make your print project a success, there are several mistakes to avoid during the proofing process. Part 1 of this series featured a couple of key mistakes to consider in proofing. This next part features several more:

 

Mistake 3: Color Reproduction

Most companies, brands, and organizations feature unique or distinct color schemes that are consistent across many areas of their operation, from packaging, to print materials, to their website and social media. Unfortunately, color is rendered differently across mediums: computer and phone screens render color using RGB, whereas most printers use the CMYK system to print colors onto a specific medium.

To maintain a specific color that all mediums can match to, many companies rely on the Pantone color system. Print companies can thusly rely on a Pantone color chart or book to depict the intended color that their printed version of the color can match.

Another helpful tool to use to ensure successful color reproduction is to rely on physical print samples that were printed in the correct color. At Cascade Print Media, we keep a few sample copies from most projects that we print. This way, we always have a sample of the last print we have done using a specific color scheme and know what the target color is for the next project. Clients can breathe easily knowing their color will maintain consistency across print projects for years to come.

 

Mistake 4: Low Resolution Artwork

Resolution in artwork refers to the number of tiny bits of color that come together to create an image. With printing, the industry standard method for measuring resolution is by using dpi, which stands for dots per inch. Many images found on a phone, or the web have a resolution of 72 dpi. This causes an issue because when printed, such low-resolution images will appear blurry, fuzzy, or pixelated. To guarantee clear, crisp images in printed materials, a resolution of 300 dpi is required. This setting can be set in most types of design software.

Additionally, it is never a good idea to stretch images to fill a space in a design or layout. This is because by stretching an image, you lower its dpi and thus reduce its print quality. However, no issues are caused by making images smaller, as long as the proportion of the image is kept consistent. If there are any concerns with image quality, a full-sized sample can be printed which will accurately depict how an image will look on a printed piece.

Cascade Print Media is committed to delivering print products of the highest quality to all of our clients. Please reach out to learn more about how we can produce and deliver an outstanding project for you today!

Major Mistakes to Avoid when Proofing Print Projects (Part 1)

Major Mistakes to Avoid when Proofing Print Projects (Part 1)

Part 1 of 2

Success in creating and delivering a compelling marketing campaign or outstanding print project starts before any of the ink hits the page. This is because before printing begins, there is a multi-layered process known as proofing that is meant to ensure everything that a client expects from their project is exactly what they will receive.

During this process, a designer takes a client's design and creates what is known as a proof, or an exact replica or example of the finished product. It is up to the client to carefully inspect this proof to ensure it adheres to their particular specifications. Below are several key tips for avoiding costly mistakes in the print proofing process:

Mistake 1: Proofreading

One of the most important details to look out for and inspect in a proof is also seemingly the most simple: checking a proof for any and all spelling and grammar mistakes. It often goes without saying, but spelling, punctuation, and grammar mistakes in signs, graphics, and printed materials are some of the most common mistakes that can slip under the radar during the proofing process. To ensure that this doesn't happen, it is recommended to slow down, read every word and phrase, and even show another individual the text and content that is to be printed. Spelling and grammar mistakes have the potential to negatively impact a client's credibility in the eyes of the consumer or end-user by portraying them as being without care, organization, or precision.

Mistake 2: Layout and Alignment

There are two layout guidelines that should be considered with every print project: bleeds and cut lines.

Cut lines: This is where the printed piece will be cut after printing. It is important to design all important text, content, and graphics far enough away from the cut lines to ensure that they will not get cut off during the print production process. Similarly, if a printed piece folds, it is highly important to consider where the folds will go so that all content can align to the panel it will be folded within. Panels on the front and the back of a folded piece will need to align as well.

Bleeds: The backgrounds, borders, and fields of color of any printed piece should extend beyond the cut lines to ensure that there is no unintended white space around the edges of a printed piece. For instance, if you would like a design element to appear right at the edge of a piece, it will need to be extended beyond the cut line to ensure a seamless look and consistency amongst print pieces within the same project.

 

Check back next week for more tips on what to avoid when proofing out your print project! Ready to start your next project? Let us know!

Why Choose a Local Print Company vs. an Online Printer

Why Choose a Local Print Company vs. an Online Printer

It is easy to google what you are looking for and to find an online retailer who can accommodate your needs at a low cost and quick turn time, here are a few reasons this might not be your best bet!

Quality & Consistency

Most online print services are offered nationwide, allowing users to place their orders and the company to run hundreds of thousands of business cards, brochures or postcards at the same time. They will most likely only print using CMYK and on a very limited selection of stocks, allowing them to gang these orders together for a longer, more cost-efficient run on their end. They have less setup cost, less in cost in ink, paper and office administration duties like entering orders, speaking to clients and invoicing. Your online order is paid for online and is due at the time of service, and the odds of being able to call and talk to the same person more than once is almost impossible. Due to this high volume of production, there is less quality control, potentially leading to issues with registration, ink consistency, finishing and packaging.

When ordering from a local print company, your order is handled individually, you have better odds of speaking to the same person multiple times throughout your project, having questions answered, concerns are addresses and quality control is more manageable. Using a local print company also opens the possibility of a press check, may allow the option of using PMS inks, more variety in paper selection and better-quality control.

Reorder and Account History

Using a local print company also makes the reorder process easier, your orders are stored under your company’s personal account. This allows us to find previous orders, quote more efficiently and may allow us to bill your account using net terms.

Logistics

Using a local printing company most likely means it is local to your area. This allows you to meet with your sales team if needed, discuss projects, review samples or proofs in person, pick up and drop off if needed and faster delivery of your project.

What Is a Press Check

What Is a Press Check

A press check is a service offered by print companies allowing you to come to a review your print project once it is on press. The pressman will get everything setup and print a few sheets for you to review before hitting the go button on the entire project. This step is important for various reasons to ensure your print project comes out exactly how you want it. Below are a few important things to look for during your press check.

1 – Low Resolution Images

Images used for marketing are often pulled from online sources or images taken with a phone, these images can and most likely will print at a low resolution, meaning that once printed on a substrate, they can become pixelated or blurry. The standard print resolution for a print file is 300 dpi, many images online or from your phone can be only half of that or less, making them impossible to print at a larger scale than what shows on your phone or computer screen. When reviewing your project at a press check, this will give you a proper representation of the print quality for those images.

Image of low vs high resolution image. One pixelated, the other more clear

2 – Ink Registration

Most offset printing is done in CMYK, a process of 4 colors printed in layers to create a specific color image or text. If these colors are not in registration, you will be left with a blurry and hard to read piece. It is important to make sure there is perfect registration. Pressman will have a tool called a loop at their press; this tool allows you to magnify the print allowing you to see the registration. If these colors are off the pressman can adjust to get them realigned.

Image of good registration vs bad registration on page

3 – Color consistency

This is the process to which the colors are consistent across the entire sheet. Color management profiles are used to ensure color consistency throughout the printing process. Review your press sheet thoroughly and make sure the entire sheet is equally vibrant without any dull areas. If there are any issues with consistency, your pressman and prepress department can review and adjust the print management system.

Image of Press sheet being checked for consistency and registration

4 – FPO

FPO means FOR POSITION ONLY, when creating your digital print file, you may use an FPO for things such as die lines, foil stamps, scoring, punching or folds. These are important during the prepress process so we know how your art should be laid out to avoid any of the processes listed above from impeding into your final print piece (nothing is worse than trying to read text that is on a fold.) Most of the time these FPO are created in a bright pink, but not always. It is important to make sure your FPO has been removed from the press ready files, so your FPO is not printed in your final piece. FPO should be created as a separate layer in your file so it can be turned off when plates are made for printing.

Image of large sheet showing where cuts and folds will be on finished product

5 – Check Your Mailing Panel

Mailing panels are tricky, USPS has a lot of rules for mailing panels, such as size, position and the ability to inkjet. If your print piece has a coating such as Aqueous, UV, Soft Touch or any other coating, be sure the pressman has created what is called a knockout, this is a process where they keep the coating from being applied in the mailing panel area. If that area is coated, USPS will most likely reject your pieces causing you to reprint.

6 – Pagination

If you are printing a booklet, with multiple pages on a press sheet, it is important to fold that press sheet to make sure your pages line up properly when folded and stitched. The prepress department has programs that will assist with correct pagination, but it’s always at idea to manually check this for accuracy. Also keep an eye out for alignment, making sure your page numbers land in the same place when the sheet is folded on the crop marks, and there is no art in or around the spine. One last thing to look for, make sure the creep has been accounted for. When you have a large book that has multiple sigs, when those sigs are folded and nested together the outer most sigs will need to be adjusted so the art has more room on the spine, or the inner most pages are not pushed out too far that they get cut off when the final trim is made.

6 – Pagination

If you are printing a booklet, with multiple pages on a press sheet, it is important to fold that press sheet to make sure your pages line up properly when folded and stitched. The prepress department has programs that will assist with correct pagination, but it’s always at idea to manually check this for accuracy. Also keep an eye out for alignment, making sure your page numbers land in the same place when the sheet is folded on the crop marks, and there is no art in or around the spine. One last thing to look for, make sure the creep has been accounted for. When you have a large book that has multiple sigs, when those sigs are folded and nested together the outer most sigs will need to be adjusted so the art has more room on the spine, or the inner most pages are not pushed out too far that they get cut off when the final trim is made.

Example of book pages creeping out of book due to folds

 

Interested in starting your next project but don't know where to start? We can help! Get in touch today and we can walk you through the process, step by step.

Bleeds – What To Know About Bleeds In Printing

Bleeds – What To Know About Bleeds In Printing

If you’ve been looking at having goods printed or have dabbled as a graphic designer you’ve likely seen the term “bleed.” But what exactly is bleed and why is it essential for quality prints?

What Does Bleed Mean in Printing?

In printing, “bleed” refers to the area that extends beyond the trim edge of the piece. This extra area helps ensure that no unprinted edges appear on the final piece accommodating for any slight movement of the paper during the trimming operation. Cascade Print Media recommends 1/8th of an inch or 3mm around all sides to every art file.

Benefits of Adding Bleeds

Adding bleeds to your designs offer several advantages:

Prevents White Edges: Even with quality industrial cutting machines the paper can shift slightly during the trimming cuts. Bleeds help ensure the graphic extends beyond the edge which avoids unsightly white edges on printed pieces.

Professional Finish: Bleeds help provide a high-quality look to your printed pieces.

Consistency: It maintains the integrity of the art across multiple prints. Helps ensure that each piece looks identical even if there are slight variations in the trimming process.

How to Create Bleed in Your Design

1: Setup Your Document With Bleeds

When creating a new document set the bleed area ahead of time. Most design tools such as InDesign, Illustrator and Photoshop have options for setting and adding bleeds.

2: Extend the Background

Ensure that any background images, colors or patterns extend into the bleed area at the edges. This ensures those elements will still reach the edge when the paper is trimmed.

3: Keep Important Elements Inside the Safe Zone

While ensuring that the background extends into the bleed area also ensures that all critical elements stay within the safe zone. This is an area usually about ¼” of an inch inside that trim line. This prevents them from being accidentally trimmed off or into. Cascade Print Media also recommends avoiding using thin borders in this area as the natural trim variations will be more noticeable the thinner the border.

4: Use Guides

Most modern design software will allow you to see and add visual guides. Use the guides to accurately position the design elements.

5: Export with Bleed Enabled

When you’re ready to save and export your final file, ensure the bleed settings are included. Most software will include an option to “include bleed” in the export settings. This step is crucial to ensure the printer knows to account for bleeds when trimming down the stock. Bleed from Canva is added via file > view settings > show print bleed. If exporting as a PDF file type ensure “crop marks and bleeds” are selected.

Adding bleeds to your designs is a simple but crucial step to ensure high-quality and professional looking prints. By understanding and applying bleed correctly you can elevate the quality of your pieces and avoid common pitfalls such as white edges or inconsistent borders.

Ready to get started on your next project, but don't know where to start? We can help! Get in touch and we will walk you through the process!

Promotional Products Return on Investment (ROI)

Promotional Products Return on Investment (ROI)

Promotional items

A study by the Advertising Specialty Institute found that “business promotional items are one of the most cost-effective advertising mediums for businesses.” The recall rate for promotional goods is around 89%, meaning that roughly 89% of customers can recall the advertiser on a promotional product they received within the past two years. A further 80% of people can also recall the messaging of the brand if they receive a promotional product from them. A physical item can also be much more effective than other types of campaigns. Promotional mugs and tumblers rank as more effective than radio/TV advertising. Studies report 57% of people can recall a brand’s advertising on a mug vs only 28% against recalling the advertiser on TV.

So why aren’t more businesses leveraging this growth opportunity?

One of the main reasons businesses may not be investing in corporate gifting or custom products is a perceived upfront cost. Certainly, depending on the products chosen, the upfront costs can look higher than expected. It’s important to consider more than just the raw cost when looking for promotional items.

Calculating ROI on promotional items

While not as easy to measure as a digital marketing campaign, this post challenges you to consider the ROI on promotional goods. The ROI is based on impressions – the number of people who are likely to see the branded product. When comparing investing into a marketing plan here’s a way to calculate the return on promo items.

No. of Items x Cost Per Item = Total Spend

Impressions per Product x No. of Items = Total Impressions

Total Spend / Total Impressions = Cost per Impression

 

Let’s break it down in a simple example using custom coffee mugs:

 

72 mugs x $10ea = $720

50 impressions ea x 72 = 3,600 views

$720 / 3,600 = $0.20 per impression

 

So, 72 mugs infrequently used only 50 times a year will get an estimated 3,600 impressions at an average cost of just $0.20 per impression. To put this in perspective the average CPC for Facebook advertising across all industries is roughly $2.00 per click.

With customers who consume coffee every day you could be looking at 72 x 365 or over 26,000 impressions a year. That takes the cost per view down to just $0.02 an impression. Those numbers don’t include others who might see the branding as well, which only drives down the impression costs even further.

Approx number of impressions

Clothing generates the most overall impressions over the expected lifetime of a product. The only exception being polo shirts, which can give the impression of a work uniform, making the wearers seem like employees and not casual users of the product. On average any product is expected to generate multiple hundreds if not thousands of impressions over its lifetime.

Know your target audience

Pick promotional products that your target audience will find useful or enjoy. Narrow in on products that are relevant to your business and will see use. Choosing well focused and quality products helps them stay around.

Approximately 87% of people keep promotional products for longer than a year while 4 out of 10 keep them for more than 5 years. That means people will continue to see your brand over and over, helping give you even more return on investment.

 

While at first glance promotional product expenses might seem more costly than alternative marketing options the actual cost per impression of promotional goods are extremely cheap. They provide long last lasting and consistent brand reminders to current and potential customers over a long lifespan.

Let Cascade Print Media help you grow your brand by offering solutions and options to stay in your customers’ minds while meeting your budgeting needs.

 

Sources: PPAI, ASI